![]() ![]() ![]() “Some of this stuff is emotional or intuitive, not necessarily intellectual or visual. “It sort of evokes Dave alone on the spaceship,” Hornbacher said. Visual cues, including a scene in which Don (Jon Hamm) enters the office faced with a set of black elevator doors that resemble the titular monolith, point to Kubrick’s film. IBM dominated computer sales in 1969 - the year the episode is set - but it’s also the same brand that played a key role in Kubrick’s film. “ 2001 is designed for people to project their own interpretation of what’s happening to Dave,” said episode director Scott Hornbacher, referring to 2001’s lead character, played by Keir Dullea. paid tribute to 2001 in the episode “The Monolith.” The IBM computer being installed in the office is called a “cosmic disturbance,” and the technician notes, “These machines can be a metaphor for whatever’s on people’s minds.” It’s a thematic nod to Kubrick’s exploration of technology’s relationship to humans. In the seventh season of Mad Men, Don Draper & co. If you could show somebody’s face in the reflection or what you cut to, you can show emotion,” Walker said. “Somehow just by pointing a camera at a fish-eye lens with a red light behind it, there’s nothing else going on with HAL but the coolness of that shot. “That comes very much from, if not 2001, then the films inspired by 2001.” For the baseline test in Blade Runner 2049 that gauges replicants’ emotional responses, Walker said it was “very hard not to think of HAL” as a computer eye “looks” on at Officer K while a faceless voice asks him questions. “There’s big explosions and loud vehicles and spinners, but we also have utter silence and bleakness and no sound events at all,” film editor Joe Walker said. To accompany the scene, the sound editors created a stifling, deserted soundscape by recording themselves dropping dust with their fingers. In Denis Villeneuve’s Blade Runner 2049, Officer K (Ryan Gosling) walks through a toxic, orange-glowing Las Vegas before finally encountering Rick Deckard (Harrison Ford). ![]() The dramatic scenes in Kubrick’s 2001 were predominantly soundless, accurate of what space is really like. One of the most influential legacies of 2 001: A Space Odyssey is not what you see, but what you hear - or rather, don’t hear - in the film. ![]()
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